Dramatically altering the landscape of popular culture, Peaches has forged a bold, sexually progressive path that’s opened the doors for countless others to follow. Through music, art, film, theatre, television, and books, she has upended stereotypes and embraced taboos, challenging social norms and patriarchal power structures while championing LGBTQ+ rights and issues of gender and sexual identity with biting wit and fearless originality. She first catapulted to international stardom with her “surreally funny [and] nasty” (Rolling Stone) 2000 debut, The Teaches of Peaches, an album which upended stereotypes and embraced taboos as it introduced the world to Peaches’ raunchily explosive persona. Since then, she’s released four more critically acclaimed albums prompting the New York Times to dub her a “genuine heroine” and Uncut to rave that she brings together "high art, low humor, and deluxe filth [in] a hugely seductive combination.”

In addition to collaborating with everyone from Daft Punk and The Flaming Lips, to P!nk, and Yoko Ono her music has been honoured with the prestigious Polaris Heritage Prize, and been featured in cultural watermarks like Lost In Translation, The Handmaid’s Tale, and Broad City, and studied at universities around the world. An equally prolific visual and performance artist, Peaches has directed over twenty of her own videos, curated a stunning book of Holger Talinski photographs documenting her life on and off the road, and participated in some of modern art’s most prominent gatherings, including Art Basel Miami and the Venice Biennale. In 2010, she unveiled Peaches Does Herself, an electro-rock opera spanning material from throughout her career that was arranged into a loosely autobiographical narrative. It morphed into a film of the same title, which premiered at the TIFF in 2012 before traveling to more than70 festivals around the world. Peaches continued her foray into theatre with a one-woman production of Jesus Christ Superstar, redubbed Peaches Christ Superstar, which continues to be performed at theatres and festivals globally and was featured in 2016 as part of the Kammerspiele Munich repertoire. Ever eclectic, she sang the title role in a Berlin production of Monteverdi's epic 17th-century opera L’Orfeo and joined forces with Yoko Ono on a recreation of her iconic 1964 performance Cut Piece at the 2013 Meltdown Festival in London. Ono later said that Cut Piece will never be performed again with such eloquence,” adding “I have a clear vision of future women artists led by the creative courage of Peaches.”