The National Ballet of Canada is proud to present its first acquisition from Alonzo King, the visionary Founder, Choreographer and Artistic Director of Alonzo King LINES Ballet in San Francisco. King created The Collective Agreement for San Francisco Ballet in 2018 to a commissioned score by jazz pianist and composer Jason Moran and image technology by renowned designer Jim Campbell. Backed by rectangular grids of suspended lights, 20 dancers negotiate taut duets, solos and sweeping group work to evoke community and the collective agreement to live together in harmony.

Twilight is alive with meaning in Crepuscular by Vanesa G. R. Montoya, her first work for The National Ballet of Canada. Set to some of Frédéric Chopin’s most beautiful music for piano, this piece assigns a mystical side to life filled with visions, fears, possibilities and, above all, romance. Montoya's unique blend of classical and contemporary aesthetics and her affinity for classical music are on full display in this gorgeous and lyrical work.

Dazzling ensemble work and a sun-kissed palette are hallmarks of Kenneth MacMillan’s Concerto, his beloved abstract ballet in three movements. Created for Deutsche Oper Ballet in 1966, Concerto channels the exuberance and variation in Dmitri Shostakovich’s Piano Concerto No. 2 in F major, with the first and third movements serving as lively bookends to the quiet pas de deux of the second. A fresh and optimistic work from one of the 20th century’s finest choreographers, Concerto was last performed by the National Ballet in 1990.