About the books:

The Seventh Town of Ghosts by Faith Arkorful

Hauntings form the canopy of The Seventh Town of Ghosts. These titular towns, centred in yesterdays, tomorrows, and the ongoing, lead to a special kind of singing: songs to the reader who wrestles with existence, the unsure peace within family, and the often-tense interdependence of life.

Here, discernment is ever-present, guided by Faith Arkorful’s insights on not only the ravages of the state and the police upon the Black family and life at large, but also on a kaleidoscope of connections—sisterhood, daughterhood, kinship, solitude, death, romance—and how tenderness, chosen and repeated, can shield against life’s blows.

The Knot of My Tongue by Zehra Naqvi

At the heart of The Knot of My Tongue is Zehra Naqvi’s storying of language itself and the self-re-visioning that follows devastating personal rupture. Employing a variety of poetic forms, these intimate, searching poems address generations, continents, and dominions to examine loss of expression in the aftermath of collisions with powerful forces, ranging from histories to intimacies.

Naqvi follows a cast of characters from personal memory, family history, and Quranic traditions, at instances where they have either been rendered silent or found ways to attempt the inexpressible—a father struggling to speak as an immigrant in Canada; a grandmother as she loses her children and her home after the 1947 Partition; the Islamic story of Hajar, abandoned in the desert without water; the myth of Philomela who finds language even after her husband cuts off her tongue.

Brilliantly blending the personal and the communal, memory and myth, theology and tradition, the poems in this collection train our attention—slow and immediate, public and private—on our primal ability to communicate, recover, and survive. This example is striking for the power of its speaking through loss and a singular, radiant vision.

Empires of the Everyday by Anna Lee-Popham

The poems in Empires of the Everyday give voice to the many “you” who move through a city—one that resembles many modern cities—where plywood shelters are demolished in pandemic winters. Where everyday violence is palpable, but the related media reporting is offhand, cool, distanced, piecemeal, uncontextualized.

In an attempt to access a more revelatory language, the poems spar with an AI translator, disturbing the disease of twenty-first century life that the city makes solid and covers up. Slavery, permanent war, and Empire titter in the resulting language, in its bending of what is possible, as only poetry can do. The poems trace the relationship between the human “you” and the machine “I” through five powerful, nuanced, and thought-provoking episodes. Anna Lee-Popham’s impressive debut collection is immersed in the current ruptures of the world, rendering a translation of Empire and beyond-Empire to a possible convergence for “you” and “I.”

shima by Shō Yamagushiku

shima is a mosaic of the emotional, psychic, and generational toll that exile from a pillaged culture impresses on a poet and his community. Come to haunt Yamagushiku’s practice of ancestor veneration are photographs and a narrative that spans his own life and a mythic parallel filled with a voice as spare as it is present, yearning as it is precise. The poet says, I am taking the sharpest stick and poking the root ancestor. I am insisting that if he awakens I will have something useful to say.

Speaking through a cultural amnesia collected between a sunken past and a sensed, ghostly-dreamed future, shima anchors this interrogation of the relationship between father and son in the fragile connective tissue of memory where the poet’s homeland is an impossible destination.