Gustavo Gimeno leads Messiaen’s colossal, mind-blowing ode to love—mesmerizing, fearlessly imaginative, and quite possibly the most unique experience you’ll ever have in a concert hall.
“It is a love song, a hymn to joy; love that is fatal, irresistible, transcending everything, suppressing everything outside; joy that is superhuman, overwhelming, blinding, unlimited”—this was Olivier Messiaen’s description for his epic and mind-blowing Turangalîla-Symphonie. Scored for a colossal orchestra, and featuring powerhouse solo roles for both piano and ondes Martenot (an early theremin-like electronic instrument with an otherworldly sound), it’s equal parts mesmerizing,
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“It is a love song, a hymn to joy; love that is fatal, irresistible, transcending everything, suppressing everything outside; joy that is superhuman, overwhelming, blinding, unlimited”—this was Olivier Messiaen’s description for his epic and mind-blowing Turangalîla-Symphonie. Scored for a colossal orchestra, and featuring powerhouse solo roles for both piano and ondes Martenot (an early theremin-like electronic instrument with an otherworldly sound), it’s equal parts mesmerizing, fearlessly imaginative, surreal, and ecstatic—and is quite possibly the most unique experience you’ll ever have in a concert hall. First recorded by the TSO in 1968, Gustavo Gimeno leads these once-in-a-lifetime concerts (and live-recording) at Roy Thomson Hall.
Gustavo Gimeno, conductor
Marc-André Hamelin, piano
Nathalie Forget, ondes Martenot
Messiaen: Turangalîla-Symphonie
TSO Live Recording
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